The spirit of Marciac
I set off for Marciac at about
The plan was to contact Françoise by SMS when I arrived, because it was easier to get a text message through the jammed networks than a call.
Heat. Crowds.
Dianne Reeves came on with a sparkling smile and started to sing and the way she grabbed the high ground reminded me of John Zorn a couple of years earlier. Her singing was impressive and imposing but I kept saying to myself “but”. Her technique is marvellous but who wants technique. Her singing was very, very beautiful. But. I wanted something else. The way she attacked the notes was so full of certitude and confidence. I wanted doubt and misery. There’s not enough sadness I said to myself. Then I wondered why I needed sadness at all costs. I resisted. She was charismatic, magnetic, wonderfully in control, a gentle flick of the hand to get the technicians to turn her mike down a shade, one of the guitars down a shade… I don’t want control I said to myself I want confusion and desperation.
Then she sang You’ve got a Friend and before the final chorus she started singing about how she was working trying to find her voice and trying to make the right decisions in her life and a friend took her to the Town Hall to hear some sisters sing and she felt her soul standing up to the music. I was almost hooked. But still waiting for something. Then she got the audience to sing. She sang a phrase and we repeated it, and there we were, learning a tiny bit of her technique. She invited us into the song. My resistance wore out, I caved in, and I stood up and clapped furiously, screaming “Dianne”!!!!
If music is a religion, she is indeed a high priestess.
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