Words, words, glorious words

Words that come up in the course of my work or reading, words that call out to me either because I’ve never seen them before, or because I have taken them for granted and never taken the trouble to look up what they mean.

Pipistrelles are bats. Pulchritude means physical comeliness. Molten seems to always go with rocks. Unbridgeable gaps. Led by their desire to know.

Psephology.


One day last week General Motors declared bankrupt. An abortion doctor was shot dead in an American church by an anti-abortionist. In France, the RMI became the RSA, to encourage people to work by making sure they earn more when employed than when unemployed. This incentive is being implemented against a background of rising unemployment, which is expected to reach 10% next year. I don’t know if anyone will benefit from it.

I believe that if wealth was redistributed, each member of the human race could live decently, have food and clean drinking water, be given a living wage.

The mayor of London is going to put 31 pianos around the capital for three weeks from the end of June, “with only a couple of metal chains and a laminated songbook for protection against the wiles of vandals and metropolitan musicophobes.”

An Air France plane from Brazil to Paris disappeared off the radar. No trace of it was found for fully a week.

For what it’s worth, I realised that there is “frique” in “Afrique”.

Going back slightly further, Anna Gavalda’s book Je l’aimais was released as a film starring Daniel Auteuil. I watched incredulously as he was interviewed and the film summarised as an account of the experiences of the character he played. That is not how I perceived the book at all. To me, the “Je l’aimais” clearly meant that she was saying that she had really loved him, and not the other way round, where the ambiguity would be about which woman - wife or mistress – he was finally admitting to loving. Or, rather, having loved.

I couldn’t believe that the interview was not with the leading lady rather than the leading man, whose role, to my mind, was secondary. The real love in the book is his mistress’, for she loves him exclusively, even moving to Paris to be near him. But he didn't let her "in".

I fondly remember reading Bertrand Russel’s In Praise of Idleness when I was an avid reader in my youth.

“Naipaul is Conrad's heir as the annalist of the destinies of empires in the moral sense: what they do to human beings. His authority as a narrator is grounded in the memory of what others have forgotten, the history of the vanquished.”

Sybarite

Whenever I come across a new word for the first time, I invariably come across it again very soon afterwards. It’s that second time that makes me want to think about it. Funny how the first and second times are always so close together…
Sybarite is the latest word. It means "a voluptuary”. Something like a hedonist with luxury thrown in.
I came across it in a blog. I was reading the blog because I had been very impressed by a concert. Reese, aka Yves-Henry Guillonnet, is a first rate musician, and he was playing guitar in a duo with a certain Manu who has the sexiest voice I have heard in a long time. Their compositions were subtle, interesting, tender, cocasse, and amusing. In a word, they were brilliant! Unfortunately they have not yet released the recording of the gig, but they will, one day.



It was Saturday 10th May, and there were two concerts of interest on the same evening! The odds against this happening in (or, rather, around) a place like Lombez are mind-boggling. The first concert was at aperitif time and it was Vicky La Sardine (top picture), a friend who writes her own songs and plays them accompanied by an accordionist. She is also an excellent performer, and had a bit of success with a comedy act at one stage.

The second occurrence of sybarite came today, in a crit of the film by Claude Lelouch, “And Now Ladies and Gentlemen, please”. I watched it last night, and thoroughly enjoyed it. I fell asleep the first time I watched it, but I was very tired… Part of the reason I like it is because Patricia Kaas sings some of the songs I’m practicing now for my piano/voice duo with Bertil Sylvander. Bertil’s day job is running a clown school, at La Robin, and we are working on some nice jazz standards and improvising. I hope he doesn’t want us to wear red noses… (Ha ha! They're not that kind of clowns - "Send them in", I hear you say). Yesterday we worked on “Que reste-t-il de nos amours” and I switched blithely from that to "I wish you bliss, but more than thiss...". When I watched the film last night, you guessed, that’s what Patricia Kaas does, starts off in French and switches to English... well, at least I know where I got that idea from... a lot of the time I am convinced my ideas are original and all it means is that my memory is not as good as it could be…

Which is another thing I like about the film – the main characters are suffering from amnesia and at the end the line between phantasme, reality and memory becomes very hazy...