Oh what a tangoed web...
Cacoethes scribendi - An insatiable urge to write.
Publié par Vita Brevis à 22:38 Permalink 2 commentaires
The sky is so blue I wish I were alone with it
Swish wish this.
Here I am knuckling under to the obligation to work
And part of me wishes it could be ideal
That’s not good enough for a poem.
You need images, abstraction, more feeling
I really really want this.
This is no indistinct yearning but a gut desire
a chain saw snores. I remember the smell of the sap.
later, I wander out into you
I’m no fool
lie back under your vast canopy and dream around the tree tops
singing of distant places
the beauty of the spot
appeases my spirit
is it the best I can hope for?
*************************************
a love of my own
Keith Jarret playing over the ocean sailing, the wind the spray the freedom the openness the sheer beauty of the music
takes me back to the first time I heard it and I blame you
in the story I tell myself, you introduced me to Keith Jarret and when I hear a single, immediately recognisable bar I remember how much I loved you, how much I longed for you, how much I yearned for you, how much I concentrated all of my longing and all of my yearning onto you
and I didn’t have you
which is why I could do that
and I lived in constant lack of you, to this day I miss you, I am lacking you, I never succeeded in making contact with you
I wanted you to be my man
I wanted you to be my lover
I wanted you to be mine
And you walk away oblivious
You live on oblivious
And I listen to the Köln concert and I scream my longing out over the sea
It is no longer a longing of you
It is no longer a longing of the past or for sex or for love
It is the anguish of a human being caught in mid-life, realising it is alive and has lived and still not knowing what it’s all about
And that music is too beautiful to have existed, it makes a mockery of the rest of life and yet no-one, not even Keith Jarret can live in a piano solo, improvised or not, one-off or not
Publié par Vita Brevis à 10:12 Permalink 2 commentaires
Publié par Vita Brevis à 17:59 Permalink 0 commentaires
Libellés : uncanny
plants 0909 |
Publié par Vita Brevis à 16:48 Permalink 0 commentaires
The things that strike me most about Ayrshire are how green everything is, with even pavements and walls colonised by green moss, how brown the river is, and how much the water looks like beer.
I absorb the damp greenness when I'm there. When I see it I feel ravenous for it, it fills me up, it hits a spot. But I don't miss it when I'm away. I love the bright dryness of where I live.
The first picture shows the driechness of concrete bars on a bridge, browbeaten by the weather to a dull, dirty grey, expressing a capture attempt, me trying to capture the river, the river and the countryside having captured me, owning me through a bond that can never be broken, a birth bond. That I ignore most of the time but that grabs me when I come close...
Green and brown. So green, so brown.
The salmon ladder which was built to make it easier for the fish to swim upstream to their spawning grounds, back to where they came from, and which actually makes it easier for the locals to poach the fish, by covering the end with wire, the salmon are like sitting ducks, and can be wheeched oot the watter using a big hook called a gaffe.
Pictures 16 and 17 show what looks like a precision-cut leaf line, 16 from under the branches, seventeen from across the field. Why do the branches of all these trees stop in such a straight line? Did the farmer shave them?
Sorn bridge, from whence my mother's ashes were strewn.
Rowan berries for a touch of orange. Green and brown are rich and lush and ok but after a while a bit, err, boring.
Not mushroom for these celtic chanterelles... I have never seen such crowds of fungi.
Talking about sitting ducks, I took some stale toast along to feed the little quackers, but along came this nasty big white bird and chased the ducks away. Try as I might, I couldn't get crumbs to the ducks, the swans commandeered all the food. I used to think of the phrase "I AM a swan" (from the ugly duckling) as a marvellous realisation of being beautiful, but in fact these creatures are very aggressive and being one is nothing to boast about.
Publié par Vita Brevis à 20:07 Permalink 1 commentaires
Libellés : moss, River Ayr Walk, Scotland, trees
At the beginning of the month, I signed up for an intensive classical singing course in the village. It was an incredible experience. Music and song resounding all over the place, inside and outside my head. I was shocked by the sheer physicality of the activity – it is rather like a sport.
One of the highpoints was hosting a rehearsal of a Polish tango in my living room (see picture). With Norwegian-born Swiss residing Alto Agnes Martin, Bruno Dottin playing cello and Laurent Bourreau on piano (Christine Box listening enthralled). Another was when I invited everybody back for a drink and was rewarded with a Schubert Impromptu from Laurent and some incongruous combinations of improvisations till 3 am.
For the final concert, being the least classical of the singers, I opened the show in the cathedral with Mary Magdalene’s theme from Jesus Christ Superstar – I don’t know how to love Him. The last day we did a concert at the local retirement home and with the pressure to perform replaced by the opportunity to entertain, I did my best rendition of Memory, based on Rhapsody on a windy night by TS Eliot.
I learnt as much listening to and watching the other singers as I did in the lessons and classes. I had my moment of fame when one of the girls at the supermarket check-out recognised me and told me my singing was "sublime"...
Then I went to
Publié par Vita Brevis à 12:58 Permalink 0 commentaires
“Police are not treating the case as foul play” I read in an online newspaper. Foul play somehow amused me. I hadn’t come across the expression for a long time. It reeks of Sherlock Holmes. From Sherlock to Shylock and the pound of flesh no-one wants to pay.
In Shakespeare I find:
Sans teeth, sans eyes, sans taste, sans everything.
Was that allowed, even in His day? Is there a name for writing in a mixture of two or more languages?
Marseille turned out to be an astonishing city, with lots of shops and sea air. In parts it seems quite similar to Paris, but with people who give the impression they don’t mind you being there.
The film festival was a wondrous mixture of pellicules. Some were moving, some left me indifferent and some made me want to vaporise the author with a Martian heat ray. I can be quite categorical at times. If I don’t like something I tend to think it shouldn’t be allowed to exist, until I remember that people can have different tastes and mine doesn’t necessarily hold good for the known universe.
I was laughing with the team about the fact that the previous year no fewer than two out of the four films whose subtitles I converted into English had very long sequences of spiders playing with flies stuck in their web – an apt metaphor for the subtitle translator, thought I. The audience is free to stand up and walk out of the cinema, but the translator has to watch every frame. Just as we are sometimes the only people who REALLY read what we are translating because translation requires a grasp, a take on what is intended. Skimming doesn’t cut it.
English subtitles are required for the films entered in the international competition. The format was two lines of 35 characters each. It’s not a question of straight forward translation because the eye reads at a slower pace than the ear deciphers so the words have to be summarised if there is a lot of dialogue.
Publié par Vita Brevis à 23:29 Permalink 3 commentaires
My analyst has erected gateposts to divert the traffic in front of her house off her lawn. I feel good about her re-defining her limits and protecting her patch. We both enjoy her garden. Sometimes I think I feel good about any kind of positive change.
This is a field not far from my house, which I discovered when I was out walking last Thursday. It is said to be “en jachère fleurie” – floral fallow?
I had to translate “audition” in the legal sense, which in English is “hearing”.
It made me think of the musical sense of audition which I suppose is “casting” in French.
Much as I would love to see myself as “good-natured” I have to admit when I try to do too many things at once I become churlish.
I like to take my time over blog posts, and tend to put off writing till I have a reasonable space of time to spend putting them together. However, the world is speeding up, things are becoming crazy, it is very hot, I have a l_o_t of work to do, last night there was a French Canadian storyteller in Lombez, Robert 7 Crows (who says Crow = Corneille and Corbeau = Raven… Mmm. For me, corbeau has always been crow but I have no time to check this ...) On Saturday night I’ll be singing (my workshop has a 6 minute slot) at the end of year extravaganza of Music’Halle and the next day it seems I’ll be off to
so this one is rushed.
Went to the seaside this weekend and when we got to Gruissan we found by sheer coincidence there was a vernissage of an exhibition containing a painting of Françoise. (Exhibition of paintings by Emma Boutin). So here is a very serendipitous snapshot of the subject having stepped out of the frame.
Publié par Vita Brevis à 22:18 Permalink 0 commentaires
Words that come up in the course of my work or reading, words that call out to me either because I’ve never seen them before, or because I have taken them for granted and never taken the trouble to look up what they mean.
Pipistrelles are bats. Pulchritude means physical comeliness. Molten seems to always go with rocks. Unbridgeable gaps. Led by their desire to know.
Psephology.
One day last week General Motors declared bankrupt. An abortion doctor was shot dead in an American church by an anti-abortionist. In France, the RMI became the RSA, to encourage people to work by making sure they earn more when employed than when unemployed. This incentive is being implemented against a background of rising unemployment, which is expected to reach 10% next year. I don’t know if anyone will benefit from it.
I believe that if wealth was redistributed, each member of the human race could live decently, have food and clean drinking water, be given a living wage.
The mayor of London is going to put 31 pianos around the capital for three weeks from the end of June, “with only a couple of metal chains and a laminated songbook for protection against the wiles of vandals and metropolitan musicophobes.”
An Air France plane from Brazil to Paris disappeared off the radar. No trace of it was found for fully a week.
For what it’s worth, I realised that there is “frique” in “Afrique”.
Going back slightly further, Anna Gavalda’s book Je l’aimais was released as a film starring Daniel Auteuil. I watched incredulously as he was interviewed and the film summarised as an account of the experiences of the character he played. That is not how I perceived the book at all. To me, the “Je l’aimais” clearly meant that she was saying that she had really loved him, and not the other way round, where the ambiguity would be about which woman - wife or mistress – he was finally admitting to loving. Or, rather, having loved.
I couldn’t believe that the interview was not with the leading lady rather than the leading man, whose role, to my mind, was secondary. The real love in the book is his mistress’, for she loves him exclusively, even moving to Paris to be near him. But he didn't let her "in".
I fondly remember reading Bertrand Russel’s In Praise of Idleness when I was an avid reader in my youth.
“Naipaul is Conrad's heir as the annalist of the destinies of empires in the moral sense: what they do to human beings. His authority as a narrator is grounded in the memory of what others have forgotten, the history of the vanquished.”
Publié par Vita Brevis à 23:24 Permalink 1 commentaires
Starts with throwing in your line. So sang Tom Waits.
So it’s a question of throwing in a fishing line and waiting for the bite
The tug
The pull
It is not cheating to throw in the line. You won’t catch any fish by throwing yourself in the water and threshing about.
You have to wait. You have to give them something they want.
And some of the fish will steal your worm and make off with it and remain free
but one fish will bite and be hooked
and for many an afternoon you will swing on the gate listening to the empty desolation of the wind
wondering about the brightness of the sun
the silence and the absence
yes for many a summer’s afternoon you will swing on the gate alone, looking at the ground, looking at the empty bottom of the street, looking
listening
waiting
being alone
many many afternoons alone
and then the mornings which you never notice, and the evenings, which come later, much later. It took so long to break through to evening loneliness and you haven’t ever really done it… not perfectly. It is never perfect. It was at one time and yet
whatever phase you are in you are not aware of it and waiting for some parameter to change …
you did not know you were free
and so you were not free
you were a prisoner
trapped in your routine
you used to believe in Brownian movement
you used to believe in chance meetings
you don’t anymore
how did this happen
Publié par Vita Brevis à 19:09 Permalink 0 commentaires
May is full of bank holidays in France, especially Thursdays, and when people take the Friday off to create a long weekend they call it “faire le pont”. I heard the expression “viaduc” the other day – nice image of a double bridge.
I was “looking forward” to cutting the grass on this bank holiday, so imagine my surprise when I went into the garage to get the lawnmower and immediately realised there was something missing. The something was a bright red plastic petrol can. I bought it recently to replace the dull blue plastic petrol can that went missing from the same garage. The absence of the expected bright red blotch almost made me hysterical. I went out into the lane, thinking one of my son’s acquaintances must have needed petrol for his scooter and been afraid to ask, hoping the can itself would have been discarded in the ditch. As I walked up and down looking into the ditch, fulminant, the words “red rag to a bull” came to mind. This definition reminds me of the days when I used to feel frustrated about dictionaries. If I don’t understand the word in French I’m hardly going to understand it in English. Pronunciation is important but… wait a minute – reminds me of the check-in at Vienna airport. I ask Sylvia what a “Vortages Check-in” is. She says she has no idea. She asks the hostess behind the counter and bursts out laughing. It is German for “check-in”. Because I pronounced it in English she then saw it as an English word.
The last time I arrived at Blagnac to travel my mind switched to English as soon as I left home, and when I got into the lift I thought I saw “departs” (when it was actually “départs”). Can’t they get their English right, I seethed, it is departures not departs, which reminded me of the arrivals board which sports “delayed at” instead of "delayed to" – in fact, in English speaking airports they use another formulation altogether – "expected at"… Everytime I see “delayed at” I want to write to Air France but then the person I’m waiting for arrives and complaining seems insignificant.
In a Guardian interview of Kashuo Ishiguro I came across the word bathos (in the adjectival “bathetic” form) for the first time and coevals –
In the same interview I realised I was not sure what “vindicate” meant and I discovered the Japanese aesthetic concept of wabi sabi: nothing lasts, nothing is finished, and nothing is perfect. Phew. That's a relief.
lepidopterist
Butterflies are one of the reasons I moved to the South West of France from Paris, along with starry skies and fresh air.
There are two kinds of red. Red that makes you angry and red that warns you of danger.
Returning to Caen from Scotland, having driven up there one Christmas and almost being snowed in by a blizzard, I was heartened by the tail lights of the car in front of me as I was heading down south at a snail’s pace. At one point I actually got the feeling that they had been put there especially for me, to keep me safe and make me feel part of a great network of people who drive cars. I suppose that is the opposite of paranoia.
P.S. fulminer bluster, rant, seethe, storm away, fulminate
Publié par Vita Brevis à 22:16 Permalink 0 commentaires
The mountains were so clear the other day. Such a joy.
“Mercurial” is a nice, interesting word I have come across quite often, recently, which took me to mercury. "Mercury occurs in deposits throughout the world as cinnabar (mercuric sulfide), source of the red pigment vermilion."
I immediately want to put another “l” in vermillion and I thought cinnabar was a town… On second reading, pigment and vermilion become Pygmalion.
I’m looking forward to reading Alain Badiou’s “L’hypothèse communiste”; found an article called “L’hypothèse de l’émancipation reste l’hypothèse communiste”
- which seemed to resonate with another Shakespeare quote - "Being born is like being kidnapped. And then sold into slavery."
Ad Libitum - At one's pleasure, usually abbreviated ad lib – ad libido (and shake).
Speare definitely said it all. There seems to be a quote from him for everything. I found great comfort in “Time and the hour run through the roughest day” when I was a child. I remember repeating it to myself, clutching at the words like a talisman. Now it seems tame, as if the spark has gone out of it; it just doesn’t seem to mean much now. Could it be that quotes (like words) have a set amount of energy in them and once you have used it up you must move on to new ones? That would coincide with the experience of learning to sing a song. First you are attracted to the song, strongly enough to make you want to learn it, experience it, master it. Eventually, you overcome the difficulties and by the time you can almost do it with your eyes shut it no longer produces the same excitement, the energy has changed...
But not the energy of the song... which is surely fixed ... the energy of the singer, which is free to vary... Two energies, two vibrations = resonance or dissonance, harmony or dissharmony. Britta was intrigued at the fact that you cannot burn one log. To have a fire, you need at least two pieces of wood.
Rather than loudness, there is a kind of intensity, when a sound is just voiced - there is a kind of vibrational threshold, when you can hear voicing, that is where the greatest emotional intensity lies.
I seem to have managed to throw the wolves off my trail. I am no longer swimming in shark infested waters. I have found temporary respite on a kind of island or at least beach. Who knows how I got here. One Shakespeare quote that I find comforting now is “Fortune brings in some boats that are not steered.” If the path is the important thing, then a destination (or direction) is maybe not indispensable. Hoc omnia quibus egeo est.
I found some Physalis at the fruit counter of Aldi. I had never considered it edible and I did not intend to eat it, but as soon as I saw it I had to have some. I took it home and left it lying on the counter for a while, hoping it would do something to surprise me. It didn’t. It stayed remarkably the same for a long time. It didn’t even seem to be drying out or shrivelling up. So I stuck two of the fruits, inside their cages, into a pot, and put the pot on the window sill.
A short time later I was amazed to see zillions of seedlings bursting out of the cages. I assume they will grow up to be more Physalis; time will tell. If you click on the photo to enlarge it you can see what looks very much like a clover leaf in there.
Publié par Vita Brevis à 19:12 Permalink 2 commentaires
The countryside is coming alive with scents. The world smells wonderful. Magnolia, with its macabre undertones thanks to Billy Holiday, the heady fragrance of quince blossom I have yet to hear anybody sing about, and the totally intoxicating nostalgia of hawthorn. When I smell hawthorn I am small and new again. The lilac is budded, the flowers not fully open, but it is everywhere. The mimosa – took ages to find that name, myosotis was on my lips – the mimosa has faded. We have no electronic devices for capturing and transmitting smells, no matter how sweet.
Et tu Brute, Obama confused England and Britain and his wife tapped the Queen on the back! Our wee group of countries is so incongruous in the modern world, so mixed up they can’t portray who they are to the outside (yes I speak English and the parliament that decides on everything for me is in England but that does not make me English!) and why do they still have a queen anyway?
There was yet another killing in America, in an old folk’s home in a town called Carthage. I immediately thought “Carnage in Carthage”. Carthaginian certainly has a warlike ring to it, and indeed, Carthage used to be the capital of the Vandal kingdom, of all places.
It always amazes me how a single letter change can throw the meaning of a word miles off. I get these moments often. The other day it was “doar” for door.
And as I was listening to the radio I heard someone say “scie” followed, what seemed like a long time afterwards, by “canaliste”. That amused me, too. Il était si…… canaliste…
An idea I found in Tolle that is very important to me: background unhappiness is not content-based but structural.
The machine is a book vending machine in an airport...
Publié par Vita Brevis à 20:19 Permalink 0 commentaires
Libellés : book, killing, psychoanalysis
I’ve always been a groupie at heart. I’ve always encouraged any body who wants to make music – even me. I find music fits roughly into the “sacred” slot in my mindset or heartset.
Here is a picture of Dave the bass player and George Bell the guitarist.
Yesterday, my son’s heavy metal band were going to be practicing at our house and I was delighted. I don’t particularly like other people’s heavy metal music but I do enjoy the sheer energy that the boys give off when I hear them live. I had some work to do and was planning to use ear plugs but enjoy the energy, the excitement, the vibe from time to time. I would be back in the Scout hut. Continuity.
So they came and they plugged everything in and I went to my office and worked and waited for the music to start. Nuthin. I got engrossed in my work, time passed and still nothing. Eventually I used the excuse of making myself a cup of tea to go and see why they weren’t playing. But they were.
They had plugged their guitars directly into a “carte son" - sound card?
– it looked like a miniature nuclear power station – and were recording the sound and monitoring it on the computer. They seemed to have cut out the “listening” phase of the process.
“But I can’t hear you” I wailed.
“Maman, we’re not playing for YOU” retorted Billy.
So who are they playing for? In any case, the name of the game is change…
“Worry pretends to be necessary – but serves no useful purpose” – Eckhart Tolle and Oprah Winfrey – I’m listening to them in the background.
I met translator Philippe Bouquet at the book fair in Lombez recently and was struck by the title of one of the books he had translated – Stig Dagerman's “Notre besoin de consolation est impossible à rassasier” – roughly - Our need for consolation is impossible to satisfy.
I like the title a lot, it seems to work really well, impossible à rassasier means the same as “insatiable” but is somehow, well, more satisfying.
I had never heard of Stig Dagerman, and found him again shortly afterwards, in JG Le Clézio’s Nobel speech – he is the last writer he mentions.
wie ein frau has a cow – a love story
“In his early years, Gerry Rafferty earned money busking on the London Underground. Poetically, his biggest hit "Baker Street" was about busking at a tube station."
It is certainly one of the songs that signifies the seventies for me.
"Two sources have told the Guardian that 61-year-old Rafferty is "alive and sounding comparatively well". It is estimated that he makes a reasonable income each year from royalties received from his most famous track,
euphony
Agreeable sound, especially in the phonetic quality of words.[French euphonie, from Late Latin euphōnia, from Greek euphōniā, from euphōnos, sweet-voiced : eu-, eu- + phōnē, sound.]
euphonic eu·phon'ic (yū-fŏn'ĭk) adj.
euphonically eu·phon'i·cal·ly adv.
euphemism – truism – eurythmics -
Out on a limn? I am always surprised when I learn a new word in English, as if speaking a language meant knowing all the words in it.
limns
limn (lm)
tr.v. limned, limn·ing (lmnng), limns
1. To describe.
2. To depict by painting or drawing.
[
Publié par Vita Brevis à 18:25 Permalink 2 commentaires
Libellés : consolation, music, sacred